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Max Weiler

*1910   +2001  

Weiler studied at the Academy of Fine Arts in Vienna under Karl Sterrer. At this time he became familiar with Chinese landscape painting of the Song dynasty (960-1279). His interest in Chinese thought and Chinese art can be traced to a shared cosmological world and understanding of nature. Weiler, however, was not interested in the topographical reproduction of landscapes in his painting, he wanted to grasp the spiritual within nature and express it in images. With nature as a starting point, and in close relationship with nature, he developed a gestural but also sometimes meditative abstract style of painting. (G. Oberhollenzer)
Wei P 10.002
Max Weiler,
Am Meer, 1969
Wei P 11.002
Max Weiler,
Zeichnung, 1971
Wei M 13.002
Max Weiler,
Munterer Himmel, 1972
Wei P 12.002
Max Weiler,
o.T., 1972
Wei M 14.002
Max Weiler,
Ohne Titel, 1976
Wei P 13.002
Max Weiler,
o.T., 1977
Wei P 14.002
Max Weiler,
o.T., 1977
Wei P 15.001
Max Weiler,
o.T., 1977
Wei M 15.002
Max Weiler,
Dr. Hans und Dr. Wolfgang Klocker, 1987
Wei P 16.002
Max Weiler,
Hintergründig, 1987
Wei M 16.002
Max Weiler,
Milde Flamme des Abends, 1988
Wei M 17.002
Max Weiler,
Der Garten, 1989
Wei M 18.002
Max Weiler,
Vorfrühling, 1991

Discover our Collection

Discover the almost 1,200 works in our constantly growing collection in our online database. In the future, the collection will be expanded primarily through the purchases of current contemporary art associated with the art prizes. However, the jury will also recommend annual purchases to the Board of Directors to supplement the existing holdings of recent Tyrolean art history.

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