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Peter Prandstetter

*1925   +2021  

He studied at the Academy of Fine Arts in Vienna under Sergius Pauser and Herbert Boeckl 1954-60. Between 1971 and 1977 he produced seven windows for Pfarrkirche Heiligenkreuz in Hall. Along with a large body of work consisting of watercolours, reverse glass painting was his preferred medium. Starting from the frame, which could be the frame of a painting, window or door, he painted on glass, without any initial drawing, using a thick glaze painting technique.
Pran M 1.002
Peter Prandstetter,
Stilleben
Pran W 1.002
Peter Prandstetter,
o.T., Harfenspielerin
Pran P 1.005
Peter Prandstetter,
2 Arbeiten, 1 Holzschnitt
Pran P 2.002
Peter Prandstetter,
Windhose, 1961
Pran P 3.002
Peter Prandstetter,
o.T., 1962
Pran P 4.002
Peter Prandstetter,
o.T., 1963
Pran P 5.002
Peter Prandstetter,
Ohne Titel, 1964
Pran P 6.002
Peter Prandstetter,
Ohne Titel, 1964
Pran P 7.002
Peter Prandstetter,
o.T., 1964
Pran M 2.002
Peter Prandstetter,
Ohne Titel, 1967
Pran M 3.002
Peter Prandstetter,
Ohne Titel, 1967
Pran P 8.002
Peter Prandstetter,
o.T., 1967
Pran P 9.002
Peter Prandstetter,
Ohne Titel, 1967
Pran P 10.002
Peter Prandstetter,
Ohne Titel, 1969
Pran P 11.002
Peter Prandstetter,
o.T., 1969
Pran M 4.002
Peter Prandstetter,
Ohne Titel, 1970
Pran P 12.002
Peter Prandstetter,
Ohne Titel, 1970
Pran P 13.002
Peter Prandstetter,
o.T., 1970
Pran P 14.002
Peter Prandstetter,
Schwimmendes, 1970
Pran P 15.002
Peter Prandstetter,
Kleine Pagode im Garten, 1970
Pran P 16.003
Peter Prandstetter,
Brücke in Rot; o.T., 1971
Pran P 17.004
Peter Prandstetter,
3 Aktzeichnungen, 1971
Pran M 5.002
Peter Prandstetter,
VER ERAT AETERNUM, 1972
Pran P 18.001
Peter Prandstetter,
Rundbilder, 33 Stück, 1972
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Discover the almost 1,200 works in our constantly growing collection in our online database. In the future, the collection will be expanded primarily through the purchases of current contemporary art associated with the art prizes. However, the jury will also recommend annual purchases to the Board of Directors to supplement the existing holdings of recent Tyrolean art history.

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